The Art of Rediscovery: Filmmaking as a Journey | by Petr Erben

Article written by Petr Erben (Czechia)

As a producer, my focus is always on finding stories that have the power to captivate and connect with audiences across different cultures and perspectives. In my latest film, Treasure, this theme of connection is at the core of the narrative. Julie Skálová embarks on a journey to confront her estranged father, but the film isn’t just about the treasure they seek. It’s about rediscovering relationships, confronting the past, and understanding how our experiences shape who we are today. These are the types of stories that resonate universally, and they are what drive me in my work.

For me, filmmaking is about navigating the intricacies of storytelling to foster meaningful connections. Each project starts with an idea that has the potential to resonate with diverse audiences, and Treasure is no exception. By blending adventure with emotional depth, we aimed to create a film that not only entertains but also invites viewers to reflect on their own relationships and experiences. This journey often involves overcoming challenges, both logistical and creative, as we strive to bring stories to life that can bridge cultural differences and foster empathy

The Intersection of Storytelling and Reality

In Treasure, the setting of Bali plays a key role in shaping the story, much like how real world locations impact the energy and authenticity of a film. Bali’s natural beauty and the underwater scenes were not just backdrops but living, breathing elements of the narrative. Filming there was a constant reminder of how environments shape us, just as much as we shape them in our films.

When we shot the underwater scenes, we aimed to capture the thrill and danger of deep sea diving—not just through action but through the emotional weight it carried for Julie. Every dive was a metaphor for her confronting the depths of her strained relationship with her father. The deeper the character dives, the more she uncovers about herself and her past

Filming in Exotic Locations: Challenges and Triumphs

Shooting in Indonesia presented challenges that were both exhilarating and exhausting. Underwater filming, in particular, tested our limits. The technical difficulties of shooting live action underwater, with professional divers and actors, were immense. But as filmmakers, we embrace these obstacles because they force us to innovate. Every hurdle becomes part of the story, adding layers of authenticity that postproduction magic cannot replicate.

One of the key takeaways from this production is the importance of adaptability. Whether it’s working with unpredictable weather conditions or learning to collaborate with local teams, flexibility is crucial. In the end, the rawness of the environment added a sense of realism and adventure that couldn’t have been achieved in a studio or in front of a green screen.

Rediscovery in Filmmaking

At its core, filmmaking is a form of rediscovery—of stories, of human emotions, and of ourselves. Treasure isn’t just a film about finding a legendary shipwreck; it’s about
rediscovering what matters most in life. In Julie’s case, it’s her relationship with her father, but for each of us, it might be something different. I believe that films should remind us of these personal treasures, and that’s what I set out to do with Treasure. Like the protagonists of Treasure, I’ve found that sometimes the greatest treasures are hidden not in exotic locations but in our relationships, memories, and the stories we tell.

Why Treasure is a Must Watch!

At its core, Treasure is an adventure comedy that offers both a thrilling treasure hunt and a deeply emotional journey. Set against the backdrop of Bali’s stunning landscapes, the film beautifully intertwines the mystery of a long-lost shipwreck with the personal journey of a daughter reconnecting with her father. With breathtaking underwater sequences, compelling characters, and an engaging story, Treasure offers something for everyone.

Fans of action, humor, and heartfelt stories will appreciate how the film balances the intensity of the treasure hunt with moments of tenderness and self-discovery. Starring the brilliant Veronika Khek Kubařová and Jiří Langmajer, their performances bring depth to the father-daughter relationship that lies at the heart of the story. Director Rudolf Havlík’s vision shines through in every scene, particularly in the way the film captures the dynamic and unpredictable nature of both the treasure hunt and human relationships. His decision to film live underwater action sequences without relying on special effects sets Treasure apart from typical adventure films and gives it a unique, authentic feel.

Whether you’re drawn by the allure of a mythical treasure or the emotional complexity of family dynamics, Treasure promises an unforgettable cinematic experience that will resonate long after the credits roll. It’s a film that reminds us all to reflect on the “treasures” in our own lives—the things we often overlook while chasing illusions.

Petr Erben is the producer of the film “Treasure”

Graduated from the Prague Film Academy of Art with a degree in Movie and TV Production, Petr possesses extensive experience in film and television, having worked on a diverse range of projects that include television series, sitcoms, entertainment programs, reality shows, and feature films. In the past, he served as a teacher at the Film Academy of Mr. Ondříček. For the past 15 years, Petr has held various management positions focused on television and film production. His roles have included Head of Production at Prima TV and Czech Television, Head of Production at TV NOVA, and CEO of Media Pro Pictures, which served as the exclusive producer of television programs for the leading Czech commercial broadcaster, TV NOVA.

Treasure” is now a part of Kinosuite International.

B Movie Culture: A Love Letter to The Old Man and the Demon Sword and the Niche that Captivates a Global Audience | by Fábio Luís

Article written by Fábio Luís (Portugal)

In the grand tapestry of cinema, there exists a genre beloved for its charm, grit, and often unapologetic absurdity: the B-movie. Films typically characterized by low budgets, campy special effects, and non-mainstream appeal, occupy a special place in the hearts of cinephiles worldwide. The Old Man and the Demon Sword, is my contribution to this rich cultural niche!

It’s not your typical sword-and-sorcery epic, but that’s precisely the point. This film leans into its limitations, crafting a world that is as imaginative as it is imperfect. There’s a sense of sincerity behind the over-the-top performances, making it easy to root for this aging warrior on his unlikely quest and also a reminder that movies can be escapism in its purest form.

The Role of B-Movies in the Global Film Industry

B-movies, like The Old Man and the Demon Sword, have carved out a niche that holds an important position in the broader global film industry. While these films are not aiming for Oscar recognition or box office records, they hold an irreplaceable role as a breeding ground for innovation, experimentation, and genuine passion.

The accessibility of filmmaking technology today means that B-movies are no longer restricted to studios or professional production teams. Independent filmmakers can now contribute to the genre with a camera, some props, and a few dedicated friends. This democratization of the medium has only enriched the B-movie tradition, creating an endless variety of weird and wonderful films for niche audiences to discover and adore!

The Personal Appeal of B-Movies: Why I Want to Make Them

For me, B-movies are more than just a guilty pleasure—they’re a source of endless inspiration and joy. Some mainstream films often feel formulaic and constrained by market demands, B-movies embrace their own eccentricity. They aren’t afraid to be imperfect, and that imperfection is where their true beauty lies!

Growing up, I was captivated by films that transported me to strange, far-off worlds, even when the special effects were laughable by today’s standards (like Kamen Rider or Doctor Who) I didn’t need perfect CGI or world-class acting—I needed heart. That’s what The Old Man and the Demon Sword tries to deliver. There’s an authenticity to B-movies that comes from filmmakers working within their means, often with great passion but limited resources. It’s filmmaking at its rawest, where the ideas, however wild or absurd, are what shine through the most. 

The freedom to experiment, to take risks, and to lean into the quirks that define the B-movie genre is incredibly appealing to me. There’s something rebellious about it—creating art for the sake of passion rather than perfection. 

Conclusion

The Old Man and the Demon Sword stands as a proud example of B-movie culture—a film that refuses to take itself too seriously but invites viewers into a world of action, adventure, and demon-fighting antics. In a sea of polished blockbusters, B-movies hold onto the essence of filmmaking—imagination, passion, and a desire to entertain.

For me, making B-movies is a chance to contribute to a legacy of filmmaking that embraces creativity over perfection, and heart over spectacle. In a world increasingly defined by massive budgets and high expectations, the B-movie remains a beacon of freedom and fun, a reminder that cinema is, at its core, about telling stories that excite and inspire—flaws and all.

Fábio Luís is the writer and director of the film “The Old Man and the Demon Sword

Graduated in Cinema and with a Master’s in Multimedia Design, has worked as a freelancer in Portugal, creating projects for various prestigious companies both nationally and internationally. Some notable brands include: Microsoft, BMW, Nestlé, among others. In the field of comic books (creating animated trailers), he has collaborated with several national publishers for Marvel, DC, and Dark Horse.

The Old Man and the Demon Sword” is his first feature film. It premiered at the Fantasia International Film Festival, the most outstanding and largest genre film festival in North America, and is now a part of Kinosuite International.

Fábio Luís

Portugal

From an early age, Fábio Luís has been passionate about cinema. Growing up in Portugal, he was captivated by the raw energy of American B-movies, the stunning spectacle of Japanese tokusatsu, and the introspective nature of Portuguese films. It has always been his dream to combine these influences, creating something unique that bridges cultural and cinematic traditions.

That dream became a reality with The Old Man and the Demon Sword, a film that has been in development since Fábio’s teenage years. The project embodies everything he loves about cinema—larger-than-life heroes, intense action sequences, special effects, and deeper emotional threads that explore themes of friendship, mortality, and ambition. The film holds personal significance not only because it is a story long envisioned, but also due to the involvement of his close friend António da Luz, who starred in the film. António shared the same dream of filmmaking, and working together was a tremendous honor. His passing before the film’s completion was a devastating loss, but his presence and spirit are felt in every frame.

Visually, Fábio is drawn to contrasts, blending the surreal with the grounded to create worlds that feel fantastical yet emotionally authentic. His style is influenced by the practical effects of tokusatsu and the narrative playfulness of B-movies, always with a meta-textual element designed to provoke thought about the relationship between reality and fiction, and the role of cinema in telling stories.

Looking ahead, Fábio is excited to explore new creative ventures. He is currently developing a graphic novel inspired by his grandfather, an extraordinary man who, despite being blind, pursued his dreams and became a skilled accordionist. His life journey has always been a source of inspiration, and Fábio believes it is a story worth sharing. In addition, several other projects are in the works, soon to be unveiled.

“I’ve always been drawn to contrasts. I like to blend the surreal and the grounded, crafting worlds that feel fantastical yet emotionally real. My style pulls from tokusatsu’s practical effects and the narrative playfulness of B-movies, but there’s always a meta-textual element. I want my films to make people think about what they’re watching—how reality and fiction intermingle, how cinema itself can be part of the story.”

– Fábio Luís