The Art of Rediscovery: Filmmaking as a Journey | by Petr Erben

Article written by Petr Erben (Czechia)

As a producer, my focus is always on finding stories that have the power to captivate and connect with audiences across different cultures and perspectives. In my latest film, Treasure, this theme of connection is at the core of the narrative. Julie Skálová embarks on a journey to confront her estranged father, but the film isn’t just about the treasure they seek. It’s about rediscovering relationships, confronting the past, and understanding how our experiences shape who we are today. These are the types of stories that resonate universally, and they are what drive me in my work.

For me, filmmaking is about navigating the intricacies of storytelling to foster meaningful connections. Each project starts with an idea that has the potential to resonate with diverse audiences, and Treasure is no exception. By blending adventure with emotional depth, we aimed to create a film that not only entertains but also invites viewers to reflect on their own relationships and experiences. This journey often involves overcoming challenges, both logistical and creative, as we strive to bring stories to life that can bridge cultural differences and foster empathy

The Intersection of Storytelling and Reality

In Treasure, the setting of Bali plays a key role in shaping the story, much like how real world locations impact the energy and authenticity of a film. Bali’s natural beauty and the underwater scenes were not just backdrops but living, breathing elements of the narrative. Filming there was a constant reminder of how environments shape us, just as much as we shape them in our films.

When we shot the underwater scenes, we aimed to capture the thrill and danger of deep sea diving—not just through action but through the emotional weight it carried for Julie. Every dive was a metaphor for her confronting the depths of her strained relationship with her father. The deeper the character dives, the more she uncovers about herself and her past

Filming in Exotic Locations: Challenges and Triumphs

Shooting in Indonesia presented challenges that were both exhilarating and exhausting. Underwater filming, in particular, tested our limits. The technical difficulties of shooting live action underwater, with professional divers and actors, were immense. But as filmmakers, we embrace these obstacles because they force us to innovate. Every hurdle becomes part of the story, adding layers of authenticity that postproduction magic cannot replicate.

One of the key takeaways from this production is the importance of adaptability. Whether it’s working with unpredictable weather conditions or learning to collaborate with local teams, flexibility is crucial. In the end, the rawness of the environment added a sense of realism and adventure that couldn’t have been achieved in a studio or in front of a green screen.

Rediscovery in Filmmaking

At its core, filmmaking is a form of rediscovery—of stories, of human emotions, and of ourselves. Treasure isn’t just a film about finding a legendary shipwreck; it’s about
rediscovering what matters most in life. In Julie’s case, it’s her relationship with her father, but for each of us, it might be something different. I believe that films should remind us of these personal treasures, and that’s what I set out to do with Treasure. Like the protagonists of Treasure, I’ve found that sometimes the greatest treasures are hidden not in exotic locations but in our relationships, memories, and the stories we tell.

Why Treasure is a Must Watch!

At its core, Treasure is an adventure comedy that offers both a thrilling treasure hunt and a deeply emotional journey. Set against the backdrop of Bali’s stunning landscapes, the film beautifully intertwines the mystery of a long-lost shipwreck with the personal journey of a daughter reconnecting with her father. With breathtaking underwater sequences, compelling characters, and an engaging story, Treasure offers something for everyone.

Fans of action, humor, and heartfelt stories will appreciate how the film balances the intensity of the treasure hunt with moments of tenderness and self-discovery. Starring the brilliant Veronika Khek Kubařová and Jiří Langmajer, their performances bring depth to the father-daughter relationship that lies at the heart of the story. Director Rudolf Havlík’s vision shines through in every scene, particularly in the way the film captures the dynamic and unpredictable nature of both the treasure hunt and human relationships. His decision to film live underwater action sequences without relying on special effects sets Treasure apart from typical adventure films and gives it a unique, authentic feel.

Whether you’re drawn by the allure of a mythical treasure or the emotional complexity of family dynamics, Treasure promises an unforgettable cinematic experience that will resonate long after the credits roll. It’s a film that reminds us all to reflect on the “treasures” in our own lives—the things we often overlook while chasing illusions.

Petr Erben is the producer of the film “Treasure”

Graduated from the Prague Film Academy of Art with a degree in Movie and TV Production, Petr possesses extensive experience in film and television, having worked on a diverse range of projects that include television series, sitcoms, entertainment programs, reality shows, and feature films. In the past, he served as a teacher at the Film Academy of Mr. Ondříček. For the past 15 years, Petr has held various management positions focused on television and film production. His roles have included Head of Production at Prima TV and Czech Television, Head of Production at TV NOVA, and CEO of Media Pro Pictures, which served as the exclusive producer of television programs for the leading Czech commercial broadcaster, TV NOVA.

Treasure” is now a part of Kinosuite International.

Petr Erben

Czechia

Petr Erben graduated from the Prague Film Academy of Art with a degree in Movie and TV Production. He possesses extensive experience in film and television, having worked on a diverse range of projects that include television series, sitcoms, entertainment programs, reality shows, and feature films. In the past, he served as a teacher at the Film Academy of Mr. Ondříček.

For the past 15 years, Petr has held various management positions focused on television and film production. His roles have included Head of Production at Prima TV and Czech Television, Head of Production at TV NOVA, and CEO of Media Pro Pictures, which served as the exclusive producer of television programs for the leading Czech commercial broadcaster, TV NOVA.

During his tenure in management, Petr actively contributed as an executive producer on several notable projects. Among these projects are the launch of the first Czech daily series for TV NOVA, Ulice (Street), the twice-weekly series Ordinace (Surgery) for TV NOVA, Dokonalý svět (The Perfect World), and the highly popular comedy series Okresní přebor (The Sunday League). He also produced three seasons of the sitcom series Comeback and the multi-country music talent show Superstar (Pop Idol) for Czech and Slovak broadcasters.

In the past, three of his television projects were broadcasted: the comedy series Kosmo
(Cosmo), Settlement (Osada), the sitcom Marta a Věra (Marta and Vera), and the feature prime-time cooking series Ohnivý Kuře (Fire Chicken), which aired on TV PRIMA for two years.

As a producer, Petr has been credited with numerous successful feature films, including Okresní přebor – Poslední zápas Pepika Hnátka (Sunday League – Last Match of Joe Hnatek) and Teorie tygra (Tiger Theory), produced by his own company, Logline Production, which he founded in 2012 with director Radek Bajgar. Together with Radek Bajgar, he created two additional films: Teroristka (Shotgun Justice) and Kurz manželské touhy (The Art of Passion). The latter was selected for the 2024 Aporia International Village Film Festival and the FEEDBACK Romance & Relationships Festival, and it was a semi-finalist at the Toronto Independent Film Festival of Cift. Additionally, it received a nomination at the Bucharest Film Awards. Another significant project is Sweethearts (Bábovky, 2020), an adaptation of the bestselling novel by Radka Třeštíková. This film was also selected for the Phoenix Film
Festival.

In 2021, he completed the authorial film Lifeline (Minuta věčnosti), shot in Iceland,
which won awards at two festivals: Best Cinematography at the Calella Film Festival
and Best Film in the Main Competition at the Gulf of Naples Independent Film Festival.
He was a finalist at two additional festivals: the Ischia Film Festival and the Toronto
Independent Film Festival of Cift. Furthermore, Lifeline was selected for six more
festivals: the San Francisco Independent Film Festival, New York City Independent
Film Festival, Sedona International Film Festival, Austria International Film Festival,
Kyiv Film Festival, and Slemani International Film Festival.

Petr’s most recent project, titled Treasure, had its Czech premiere on October 23rd
and is currently participating in both local and international festivals while being distributed in Czech and Slovak cinemas. It has already won the Best Feature Film award at the Paradise Film Festival and has been selected for two additional festivals. Furthermore, it is still awaiting decisions from another 38 festivals around the world.

Currently, Petr is working on three feature films: the first, titled Kouzlo Derby (Derby’s
Magic), is in post-production and directed by Petr Kolečko; the second, Teorie Tygra 2
(Tiger Theory 2), is also directed by Radek Bajgar and continues the story from the
first film. The third film, which is in development, has the working title Middleman and
will be written and directed by Rudolf Havlík. In addition, he is also developing two
series: one is a daily series for TV Prima, and the other is a twice-weekly series for TV
Nova.

“For me, filmmaking is about navigating the intricacies of storytelling to foster meaningful connections. Each project starts with an idea that has the potential to resonate with diverse audiences, and Treasure is no exception. By blending adventure with emotional depth, we aimed to create a film that not only entertains but also invites viewers to reflect on their own relationships and experiences. This journey often involves overcoming challenges, both logistical and creative, as we strive to bring stories to life that can bridge cultural differences and foster empathy. ”

– Petr Erben